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J.S. Bach
J.S. Bach: Matthäus-Passion, BWV 244: II. Recitative - Da Jesus diese Rede vollendet hatte (Share)
Samuel Ricke
1:08 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 12 11 3 5 90%
Bass 6 0 2 3 88%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 12 11 3 5 90%
Bass 6 0 2 3 88%
Continuo. Bass 6 0 2 3 88%
Violone. Bass 6 0 2 3 88%
Jesus. Bass 14 0 4 3 75%
Viola. 6 0 1 3 75%
Violino
I.		 Treble 7 0 2 3 75%
Violino
II.		 Treble 7 0 1 4 75%
Evangelist. 8 0 0 2 38%
 
30. Aus meines Herzens Grunde, BWV 269.
SDG
1:20 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 10 0 1 5 100%
Treble 10 0 1 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 10 0 1 5 100%
Treble 10 0 1 5 100%
Bass 14 0 0 5 100%
Bass 14 0 0 5 100%
Soprano/Alto Treble 10 0 1 5 100%
Tenor/Bass Bass 14 0 0 5 100%
Contrabass Bass 9 0 0 4 50%
 
16. Allein zu dir, Herr Jesu Christ. BWV 33.6.
SDG
1:14 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 23 0 6 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 23 0 6 6 100%
Contrabass Bass 19 0 5 4 52%
Bass Bass 4 0 0 2 20%
Tenor Bass 4 0 0 2 16%
 
41. Christ lag in Todesbanden. BWV 4.8.
SDG
1:01 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 22 0 6 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 22 0 6 5 100%
Contrabass Bass 15 0 5 5 50%
Soprano Treble 2 0 0 1 11%
 
39. Christ lag in Todesbanden. BWV 278.
SDG
1:01 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 5 6 100%
Tenor/Bass Bass 22 0 6 6 100%
Contrabass Bass 15 0 5 6 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 5 6 100%
Tenor/Bass Bass 22 0 6 6 100%
Contrabass Bass 15 0 5 6 50%
 
40. Christ lag in Todesbanden. BWV 158.4
SDG
1:01 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 19 0 5 4 100%
Tenor/Bass Bass 20 0 6 7 100%
Contrabass Bass 13 0 4 7 51%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 19 0 5 4 100%
Tenor/Bass Bass 20 0 6 7 100%
Contrabass Bass 13 0 4 7 51%
 
210. Ihr Gestirn', ihr hohlen Lüfte. BWV 366.
SDG
1:01 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 5 100%
Tenor/Bass Bass 22 0 5 7 100%
Contrabass Bass 15 0 2 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 5 100%
Tenor/Bass Bass 22 0 5 7 100%
Contrabass Bass 15 0 2 4 50%
 
97. Es woll' uns Gott genädig sein (Es danke, Gott, und lobe dich das Volk in guten Thaten). BWV 69/6.
SDG
1:10 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 10 0 3 4 100%
Soprano/Alto Treble 15 0 6 5 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 10 0 3 4 100%
Soprano/Alto Treble 15 0 6 5 100%
Tenor Treble 11 0 5 4 100%
Tenor/Bass Bass 21 0 10 4 100%
B♭
Trumpet		 Treble 12 11 4 8 71%
Timpani Bass 2 0 0 5 71%
Alto Treble 11 0 4 5 50%
Bass Bass 13 0 6 4 50%
Contrabass Bass 15 0 6 4 50%
Violoncello Bass 15 0 6 4 50%
 
232. Lobet den Herren, denn er ist sehr freundlich. BWV 374.
SDG
1:06 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 7 100%
Tenor/Bass Bass 22 0 5 7 100%
Contrabass Bass 15 0 3 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 7 100%
Tenor/Bass Bass 22 0 5 7 100%
Contrabass Bass 15 0 3 4 50%
 
184. Ich ruf' zu dir, Herr Jesu Christ. BWV 185.6.
SDG
1:04 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 1 8 100%
Tenor/Bass Bass 19 0 4 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 1 8 100%
Tenor/Bass Bass 19 0 4 6 100%
Violin Treble 15 0 3 5 100%
Contrabass Bass 15 0 3 4 50%
 
161. Herzlich thut mich verlangen. BWV 161/6
SDG
1:07 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 17 0 5 5 100%
Treble 17 0 5 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 17 0 5 5 100%
Treble 17 0 5 5 100%
Soprano/Alto Treble 15 0 4 6 100%
Tenor/Bass Bass 20 0 5 7 100%
Contrabass Bass 14 0 3 4 50%
 
155. Herzlich lieb hab ich Dich, o Herr. BWV 149/7.
SDG
1:24 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 3 6 100%
Tenor/Bass Bass 20 0 7 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 3 6 100%
Tenor/Bass Bass 20 0 7 6 100%
Contrabass Bass 16 0 5 5 50%
C
Trumpet		 Treble 7 5 0 3 10%